Editor Dick Giordano, to whom Liefeld showed his samples at the DC booth, requested that Liefeld send him more samples. At the convention, he showed editors his samples and offered a package, which consisted of 10 pages of sequential art featuring his own characters. Learning from a friend of a comic book convention in San Francisco where a large number of editors would be in attendance, Liefeld and his friend drove several hours to San Francisco, where they stayed with his aunt and uncle. Success with DC Comics and Marvel Comics However, Megaton Comics went out of business before that could be printed. Two months later Liefeld drew the team in an advertisement in Megaton #8 (August 1987), which indicated that it would next appear in Megaton Special #1, by Liefeld and writer Hank Kanalz, with a cover by artist Jerry Ordway. Although Carlson was impressed with Liefeld's layouts, the story was eventually drawn by Gary Thomas by the time it saw print in Megaton #7. Impressed with the artist's enthusiasm and the new art samples he showed them, Carlson gave Liefeld a test script in order to judge his ability to draw a page-to-page comics story. Ĭarlson and his colleague Chris Ecker later met with the teenaged Liefeld, who at that point had not yet obtained his driver's license, at the Ramada O'Hare Hotel, which was then the location of the Chicago ComiCon. The book also featured an entry for Liefeld's own creation, a team of superheroes called Youngblood, the very first appearance of that team in print. Carlson used one of the pinups as the inside front cover to Megaton #5, and Liefeld's Ultragirl pinup in the company's Who's Who-type reference book Megaton Explosion #1 (June 1987). Weeks later he received another set of samples that were an improvement, and later still, a four-page Berserker story (not to be confused with the Marvel or Top Cow characters of the same name), along with pinups of the Megaton characters Ultragirl and Ultraman. Although Carlson liked Liefeld's work overall, he felt the young artist was not ready for professional work. Although Carlson thought Liefeld's depictions of his characters was not sufficiently accurate, and exhibited what Carlson characterized as "some goofy anatomy", he found Liefeld's storytelling to be clear, and his rendering style evocative of the influence of artist George Pérez. Some of these earlier pinups are visible on Liefeld's website. Liefeld's submission packet consisted mostly of pinups of DC Comics characters like the Teen Titans and Legion of Super Heroes, as well as some sketches of Megaton characters. Carlson was working on Megaton #4, and was looking for replacements for artists who had moved on to bigger projects. Among Liefeld's earliest published work was a pinup of his creation, Youngblood, in Megaton Comics Explosion #1 (June 1987).Īmong the editors he sent art samples around 1985 to Gary Carlson of Megaton Comics. Career Early career Īfter graduating from high school, Liefeld took life drawing classes at a local junior college, working odd jobs for about a year, including as a pizza delivery man and construction worker, while practicing his artwork, samples of which he sent to small comics publishers, as he was too intimidated to send them to the "Big Two" companies of Marvel Comics and DC Comics. He has also noted how the influence of Arthur Adams is visible in his art. Liefeld cites Pérez, along with John Byrne and Frank Miller, as major influences. As a high-school student, he took basic fundamental art courses, and attended comic book conventions at the nearby Disneyland Hotel, where he met creators such as George Pérez, John Romita Jr., Jim Shooter, Bob Layton, Mike Zeck and Marv Wolfman. Liefeld's love of comics began as a child, which led early on to his decision to be a professional artist, a practice that began with his tracing artwork from comic books. He and his sister, seven years his senior, grew up in Anaheim, California. Rob Liefeld was born October 3, 1967, the younger child of a Baptist minister and a part-time secretary. Liefeld has been called one of the most controversial figures in the comic industry for his drawing skills, business practices, and controversial comments. The first book published by Image Comics was Liefeld's Youngblood #1. In 1992, he and several other popular Marvel illustrators left the company to found Image Comics, which started a wave of comic books owned by their creators rather than by publishers. In the early 1990s, Liefeld gained popularity due to his work on Marvel Comics' The New Mutants and later X-Force. A prominent writer and artist in the 1990s, he is known for co-creating the character Cable with writer Louise Simonson and the character Deadpool with writer Fabian Nicieza. Robert Liefeld ( / ˈ l aɪ f əl d/ born October 3, 1967) is an American comic book creator.
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